When looking at the career paths taken by different bands in modern music, it’s hard to find a stranger one than The Avalanches. Just last year they released their sophomore record Wildflower to critical acclaim, SIXTEEN YEARS after their much-lauded debut Since I Left You. As soon as tonight’s show was announced in the cozy confines of Théatre Corona, you would think the place would have sold out in minutes, such was the buzz around both their debut and their long overdue return, and yet, as they take to the stage a little after 9pm, the balcony is closed off and the floor section is probably half full. Montreal, what were you thinking?? Only two of the original founding members remain, Robbie Chater and Tony Di Blasi, and it is they who lead the band out on stage, accompanied by touring vocalists Eliza Wolfgramm and Spank Rock (yes, THE Spank Rock who broke through in the mid-2000s with an acclaimed debut record of his own), and they storm into Because I’m Me, with both Eliza and Spank both singing over and miming to the backing track at different points throughout. The party really gets started with the arrival of recent single Frankie Sinatra, as Spank assumes vocal duties and the lights go up and down, just like the hands in the air, in a scene akin to a rap battle from 8 Mile, before dub beats take over with a storming cover of Guns Of Brixton by The Clash, with Eliza menacingly wielding a baseball bat as she patrols the stage singing that classic. After she and Spank share vocal duties on Flight Tonight, the dance party re-ignites once more with the oldie Radio and then newest single Subways. The Hip-Hop vibes return with a run-through of Spank Rock’s own tune Bump, as both Eliza and Spank spit rhymes and Robbie leaves his post at the keyboards to assume a position behind a second drum set to really beef up the sound. It sounds absolutely brilliant. After everyone catches their breath, the beat to breakthrough single Frontier Psychiatrist drops, and the dance party resumes. It’s a tricky song to play live, being essentially a mash-up of sound bites, so vocally its just a backing track, but heavy drums and synths give it an extra dimension. The song kinda breaks down abruptly about halfway through with a sample of The Who’s My Generation. The bass-driven dance tune If I Was A Folkstar and almost comedy beats of The Noisy Eater close out the main set. Of course, the one gaping hole in the set is filled in the encore in the form of Since I Left You, and perfectly captures the summer vibes which seem to have finally arrived this weekend in our city. After saying their Thank-You’s, the band leave the stage for good after putting on one of the most musically diverse shows you could ever hope to see; a wonderful night despite the inexplicably sparse crowd. Seriously, Montreal, what were you thinking??? Setlist Since I Left You Review & photos – Simon Williams Share this :The post The Avalanches @ Corona Theatre – 10th June 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/avalanches-corona/
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Toronto “orchestral pop hybrid” Common Deer will perform a free show in Montreal’s Esplanade Financière Sun Life at the Olympic Stadium this Friday evening as part of Les Premiers Vendredis. The band will perform at 7:30pm. The Beatdown and Valley will also be performing. Common Deer’s single Confessions (I Should Have Known) hit #1 on Spotify’s Viral Top 50 chart in Canada. The song was also top 10 at CBC Radio 2 for 4 consecutive weeks. In April they performed a huge festival-style set in the sold-out Horseshoe Tavern in Toronto for Canadian Music Week. Their live show included many new songs, which were recorded recently in New York with producer Gus Van Go for their second EP “II” whose release date will be announced soon. Share this :The post Common Deer free show in MTL this Friday appeared first on Montreal Rocks. from http://www.montrealrocks.ca/common-deer-free-show-mtl-friday/ I don’t think I’ve ever worked harder at liking a band than I have with Animal Collective. I saw them at Metropolis in 2009 when they toured the blogosphere-smashing Merriweather Post Pavillion – and spent half the “show of the summer” ducking the writhing crowds and listening to the PA from the toilet. Shortly thereafter, I bought the skittery Strawberry Jam after my buddy’s empassioned plea to “just hear them on record, man” – and worked myself into a panic attack of uncoolness trying to “get it”. In 2013, I figured I’d had enough personal development to grok them at their return to Metropolis and maybe also win cool-points with the girl I wanted to impress. I don’t think I was able to do either. So it’s under this cloud of history that I entered the Corona Theatre to reunite with a band that I never successfully liked. And actually, with a much smaller venue and years of distance from their furry grip on the pantheon of taste-making mp3 blogs, I finally enjoyed Animal Collective. This slow-grow narrative also extends to opener Circuit des Yeux, who provided a fittingly hypnotic table-setter for the rhythmic grooves to come. However, unlike Animal Collective’s bleeps and bloops and yelps, Haley Fohr opts to draw her audience in with dim lighting, ethereal quavers, and a single 12-string guitar. At times, Circuit des Yeux’s rubber band vocals evoke Nico, Joan Baez, and early Shearwater. But even with these touch-points, her steady strums and cryptic words gradually lure listeners into unfamiliar and otherwordly territory. This kind of meditative state creates the perfect opportunity for an artist to surprise their audience. Circuit des Yeux did just that, ending her short set with primal screams and shreds before kneeling to melt once again into hushed whispers and silence. One then become four, as Avey Tare, Panda Bear, and Geologist took to their stations with a real live drummer bringing up the rear. Animal Collective’s recent record Painting With (as well as its companion EP The Painters) was singled out for its candy-coated cartoon sound, and the band very appropriately opened their set with samples of pig sounds and squelches before bouncing into the mid-tempo pulses and staggered harmonies of “Hocus Pocus”. This soundscape, spread out across the stage before an altar of bizarre statues (looking like Crazy Bones by way of Picasso) and projections of throbbing splatters, created a kinetic energy that floated up from the dance-floor to my comfortable seat on the balcony. Painting With’s tracklist was also notable for their comparatively shorter run-times, but it seems like the live-setting gives Animal Collective the space and comfort to let these tunes breathe and see where they go. For more relaxed songs like the whim-oh-weh rhythm of “Kinda Bonkers” and the drones of “Guys Eyes”, this wider canvas allowed for an interesting ebb/flow dynamic that was easy enough for me to catch onto and ride. On the other hand, this also made it possible for denser and zanier songs like Painting With opener “FloriDada” and “Summing the Wretch” to stretch out long past their original welcome. To my huge surprise, the band’s setlist – while giving equal attention to new material and Merriweather Post Pavilion – appears to have purposely left off two of their discography’s two biggest crowdpleasers, “Fireworks” and “My Girls”. Maybe not coincidentally, these are also the songs that helped win them big mainstream attention in the first place, with the former appearing on British drama Skins and the latter being sampled by Beyoncé. But today, the venue is smaller, the crowd seems older, and the band seems much more focused on just having fun – even if it occasionally gets a little self-indulgent. This all somehow makes it a lot easier to root for these guys. Maybe it’s because I no longer feel the cultural pressure to like them or be left behind by the zeitgeist, or maybe my tastes really have evolved at last. Maybe it’s just because this was the first time that I watched from the balcony instead of flinging myself into a pit of sweaty teens. Whatever the reason, I was finally able to sit back for what felt like ten minutes of “Summertime Clothes” (and its protracted noise collage interlude) with a bobbing head and without groaning or needing to excuse myself for fresh air. With my track record? That’s an improvement. Animal Collective Setlist: Hocus Pocus Encore Peacemaker Review – Dan Corber Share this :The post Animal Collective + Circuit des Yeux @ Corona Theatre – May 27th 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/animal-collective-circuit-des-yeux-corona-theatre/ One of the most clichéd things any concert reviewer can say to start a piece is “theres a real buzz around the venue” (or words to that effect). Tonight though, makes me realize that all those other times I wrote that were nothing like this. I’ve been to many a sold-out Metropolis show, but none that were like this. Upon arrival on the balcony, people are sitting on the steps, leaning against the walls, and obviously, every stool is taken; the floor section is no less heaving. Yes, tonight is more packed than packed: 40-odd years into his musical career, Nick Cave is still unquestionably quite the draw. Metropolis is packed by 8pm, and ready for what we all know is going to be a great show. Nick Cave & The Bad Seeds Nick and his Bad Seeds take to the stage just after 8 to an unsurprisingly spooky soundtrack, and after a quick wave to the packed house, Nick takes a seat in the centre of the stage and begins the haunting narrative of Anthrocene over a backdrop of piano and haunting backing vocals. After standing and removing the chair, the feedback effects of Jesus Alone resonate as Nick patrols the front of the stage bearing tortured expressions throughout. Magneto starts softly with just piano, before slowly being joined by bass and drums, and at the front of the stage Nick leans over and waves his hands as if to beckon the crowd closer or even onto the stage (although the Security are ready and primed to make sure that doesn’t happen!). The strum riff of Higgs Boson Blues elicits huge cheers from around the room, and Nick again reaches from the front of the stage, reaching into the sea of hands swirling towards him, before reaching a furious climax with the crowd singing “BOOM BOOM BOOM” with Nick as he taps the mic to his chest to simulate his heartbeat; it’s a mesmerizing moment. After a brief pause, Nick yells “I WANNA TELL YOU ABOUT A GIRL!!!” to detonate From Her To Eternity, as drums, piano, Wurlitzer and violin all explode into life immediately thereafter. The pace keeps up with the driving bass of Tupelo, culminating in an emphatic “YOU WILL REAP JUST WHAT YOU SOW!” before cutting to silence, ending the song as suddenly as From Her to Eternity started. Nick Cave & The Bad Seeds Jubilee Street sees the room darken and Nick sing over just an electric guitar, before drums join the party and things get a little more frantic. Nick takes his place at his grand piano for the frenetic finale. Things slow down notably on The Ship Song to allow everyone to finally catch their breath, and continues through Into My Arms (dedicated to the bagel shop that fed him earlier today!), Girl In Amber and I Need You, before picking up again with the classic Red Right Hand, which will always remind me of Dumb And Dumber and that scene where Lloyd gets robbed by the sweet old lady on a motorized cart (with that song playing in the background). Live, it’s incredible, rumbling along on a stage lit only in red, before erupting into life with flashing white light during the breakdown, and is yet another set highlight. The Mercy Seat sees another soft start that ends in almost a hoe-down, finishing with Nick slamming his mic onto the stage, before the ethereal Distant Sky and Skeleton Tree close out the main set, with Nick departing the stage first and leaving The Bad Seeds to finish the song in his absence. All return after a brief pause with Nick assuring the crowd “we’ll do several songs so don’t panic!” Rings Of Saturn almost resembles a spoken-word piece over a space-age atmospheric beat, with Bad Seeds adding backing vocals, and then Mermaids and the expletive-laden Stagger Lee follow. The eerie Push The Sky Away concludes the encore, with Nick proclaiming “Thank you Montreal, you’ve been wonderful!” After a final thanks to The Bad Seeds, he leaves the stage for good, again leaving the band to finish the song and the set, after a stellar 2 hours and 10 minutes. One of the shows of the year so far, without question. Nick Cave & The Bad Seeds Setlist Set List Anthrocene Jesus Alone Magneto Higgs Boson Blues From Her to Eternity Tupelo Jubilee Street The Ship Song Into My Arms Girl in Amber I Need You Red Right Hand The Mercy Seat Distant Sky Skeleton Tree Rings Of Saturn Mermaids Stagger Lee Push the Sky Away Review – Simon Williams The post Nick Cave & The Bad Seeds @ Metropolis – 29th May 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/nick-cave-bad-seeds-metropolis-29th-may-2017/ It’s not often you’ll find an act with no major-label backing headlining the Bell Centre, but Chance The Rapper is no ordinary hip hop star. Backed by the warm organic sounds of his longtime instrumental trio, the Social Experiment, the name of this multi-Grammy Award-winning young music phenomenon’s current jaunt is the “Be Encouraged Tour.” And tonight he offered plenty of encouragement — and thanks — to his listeners during a show that mixed gospel fervor, hip-hop swagger and arena spectacle in almost equal measure. Despite him arriving on stage over 35 minutes late, following a rousing warm up from DJ Oreo, the crowd were in fine spirits as the 24 year old Chicago native eventually showed up, dressed in white t-shirt, jeans and sneakers together with his trademark baseball cap. Setting the tone with an energetic Mixtape which segued into Blessings complete with pyros and an impressive lighting set up, it was the beginning of 80 minutes of that included many songs. But some were so truncated and fleeting, even his biggest hits, they seemed to end almost in the blink of an eye. Angels and Smoke Break follow and the whole arena is a sea of cell phone lights. Chance addresses the front row personally, obviously appreciating the fact that those against the barrier arrived early to claim their spot. It’s a moment that somewhat alienates the rest of the arena but it’s fleeting enough to never lose the atmosphere too much. What does alienate a large chunk of the audience is Chance’s repeated religious references which quickly grow tiresome, although perhaps not with any believers in the audience. “Make some noise if you wanna go to heaven” he shouts at one point, turning the party into more of an evangelical gathering. When one song references Jesus, there are sections of the crowd who cheer enthusiastically, but just as many who look around in bemusement. Highlights of the set include the superb No Problem and a rousing All Night, but both are cut way too brief. His roadie, Kenny, brings a stool on stage for Same Drugs as it starts to “snow” throughout the venue. At this point an illuminated walkway lowers over the entire length of the floor and Chance casually wanders to the back of the room as he completes the song. It’s a great moment that adds intimacy to the arena but again it’s all too brief, lasting only a couple of minutes. There’s no denying Chance is an excellent rapper. At no point does he stumble over his words, and his energy is infectious throughout. Despite being the sole person moving around on stage he manages to use the entire space well and interacts with his audience like a veteran. The majority of tonight’s mostly young crowd do seem to enjoy the performance but it has a different effect on myself. I was on the fence with Chance’s music and was interested to see how it worked in a live setting. Often witnessing music live can lead to you appreciating it much more. Tonight, however, I’m left thinking this is not for me. The religious aspect and the hurried flow of the set left me unable to truly get involved in the performance. Sorry Chance, but tonight I left without being converted. Review & photos – Steve Gerrard Share this :The post Chance The Rapper @ Bell Centre – 25th May 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/chance-rapper-bell-centre-montreal/ Under the word “Cool” in the Oxford Dictionary, there is simply a picture of The XX. Well…I haven’t really checked, but if it isn’t there, after tonight’s show…it should be. Kalela @ Parc Jean Drapeau It feels like summer has started with my first outdoor show of the summer, The XX and Kelela Mizanekristos (a.k.a. Kelela) opening. Kelela took the stage and immediately, the first 50 rows were attacked sonically by a punch to the eardrums from the sub-woofers. Now, I’m not one to complain about loud music, but unfortunately for Kelela…we have no clue what she sang or if she could sing at all. Only through the occasional breaks in the overpowering bass did we get a small glimpse of her voice, ever so slightly till the assault continued. I actually thought she was from a David Lynch movie because for the first few songs, she was fuzzy because of the reverberations. Only thanks to my concert neighbor Karim, who drove all the way from Ottawa to catch the show and give me some napkins to stuff in my ears as I passed on this precious treasure to the next person, was I able to avoid permanent damage. Santa the Roadie During the intermission, one of the roadies looked suspiciously like Santa. I guess one needs a summer job and the for the first time ever, the crowd cheered as a roadie picked up a speaker. The XX Parc Jean Drapeau The XX entered and started with “Say Something Loving” from their newest release I See You. Like a well-oiled machine, Romy Madley Croft, Oliver Sim & Jamie xx played a tight set with a cool demeanor, yet relaxed and natural. I remember when they played the Canal almost 4 years ago and I thought: “Who wants to see a bunch of bored teens?” Now, I loved the album, but they did not seem like a high-energy bunch. I immediately regretted it when a good friend of mine told me it was the best show she saw, she loved it. Really? I wasn’t going to miss them again and I’m so glad my time finally came to experience The XX live. The XX The second song brought back those memories as they played “Crystalised”, much to the delight of the crowd. From their debut album, we would hear “Islands”, “Infinity”, “VCR”, “Shelter” and “Intro”over the course of the evening. Romy and Oliver of The XX For an intimate moment, Romy sang “Performance” solo, at the suggestion of the band which brought chills to the back of your spine. Both Romy & Oliver have this voice that digs deep into memories of being a teenager feeling lost love and being alone in the world. Although the events in Manchester were not uttered, it is always eerie to go to a show after such a tragedy. For a few hours, we were able to lose our insecurities and simply enjoy the moment. The great Evenko staff make us feel safe and live music reminded us that life is fragile and we should enjoy every minute of it and not let fear stop us from doing so. The XX An amazing set featuring songs from all albums ended with an encore starting with Jammie xx getting us going with the intro to “On Hold” which had us all dancing. Before ending the show with two last songs, there was a moment when the applause from the Montreal crowd seemed to go on forever, much to the surprise of the shy Romy. Oliver recognized that although much love was going towards him, he graciously directed it towards Romy, which just seemed to amplify the love. Romy mentioned how they appreciated each and every one who attended tonight and that they saw us. “Intro” & “Angels” took us home and wrapped up the evening like a gift we all received from the coolest band in town. The XX Setlist Montreal Setlist Say Something Loving Encore Review & Photos– Randal Wark is a Professional Speaker and Business coach with a passion for live music. You can follow him on Instagram, Twitter and YouTube. Share this :The post The XX @ Parc Jean-Drapeau May 24th, 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/the-xx-parc-jean-drapeau/ English indie pop band The xx play Montreal’s Parc Jean-Drapeau tonight and you could be there to witness the show. Tickets are still available via Evenko at evenko.ca priced $62.50 – $68. Recently the Guardian described the band’s performance as “a beefed-up sound and a beautifully accomplished stage show signal a more outward looking approach from a band with a few tricks up their sleeve”. The xx are currently touring in support of their album, I See You which marks a new era for the London trio of Romy Madley Croft, Oliver Sim and Jamie Smith, both sonically and in terms of process. The record was recorded between March 2014 and August 2016 in New York, Marfa TX, Reykjavik, Los Angeles and London, and is characterized by a more outward-looking, open and expansive approach. Produced by Jamie Smith and Rodaidh McDonald, I See You is The xx at their boldest yet, performing with more clarity and ambition than ever before. Share this :The post The XX play Montreal tonight and you could be there… appeared first on Montreal Rocks. from http://www.montrealrocks.ca/xx-play-montreal-tonight/ There was a hurricane that passed through Montreal on May 20th, 2017, but rest assured, there was no damage, apart from some eardrums. It was localized at Bar Le Ritz and the vortex was started by Christina Martinez as she took the stage with her husband Jon Spencer (yes, of Blues Explosion), Jen Jürgensen (ex Swans) on bass, Hollis Queens on drums and Mickey Finn on keyboards. The evening began with Pale Lips from Montreal with some Ramones toe tapping fun. I arrived at around 8:05 PM and the band was already playing. Set ended maybe 10 minutes later…short and sweet. Danny & The Darleans Danny & The Darleans (Detroit, Michigan) took the stage next with some rocking good tunes. While Danny Kroha got our attention with his howl straight from old blues, the towering Richie Wohlfeil had my attention. Picture a tall man sitting at a small drum kit, arranged in a way that I’ve never seen before, but you can’t see his hands because they are constantly blurry from frenzied drumming. The Boss Hogs roadie had a black belt in duct tape. His meticulous attention to detail was interesting to watch. Little did we know about the hurricane soon to hit us, it was smart to secure the stage before the gale force of Christina would sweep all our attention. Cristina Martinez of Boss Hog “Wichita Grey” started us off and Christina was taking control of the stage. Throughout the night, she would jump down into the crowd to sing among us. At one point in the show, she put her hand on my shoulder and sang to me, black hair covering her right eye, which that mischievous grin peeking through. Boss Hog Next up was “Winn Coma”, one of those songs that I couldn’t get enough of back in 1995 off their self-titled album. Standing the test of time, this and other songs from that album are as relevant today as they were when OJ was found innocent and Quebec voted NO in the Referendum by a narrow margin. Cristina Martinez of Boss Hog Boss Hog recently released Brood X and features several songs off this long-awaited release, mixed in with songs off “Whiteout” and “Boss Hog”. A second encore was un-planned and included 2 more songs, one of which was “17”. Jon Spencer of Boss Hog The show was intense, fun and everyone was captivated by the performance we were witnessing. All the musicians were talented, but allowed Christina to pull us into her web and not let us go till the lights went back on. Definitely a band to see live, I’m sure every show is legendary. When I spoke to Christina after the show and we spoke of the performance, she humbly said: “We tried our best.” I would instead refer to the last line of the song “17” which states: “I was swallowed by the noise.” Boss Hog Setlist Montreal Set List Wichita Grey Encore #2 (missing one song) Review & Fuzzy Photos– Randal Wark is a Professional Speaker and Business coach with a passion for live music. You can follow him on Instagram, Twitter and YouTube. Share this :The post Boss Hog @ Bar le Ritz May 20th, 2017 appeared first on Montreal Rocks. from http://www.montrealrocks.ca/boss-hog-bar-le-ritz/
Get a taste of Montréal BEFORE you’re in Montréal! Indie Underground is back with a brand new 2017 banging playlist with 200% more ‘bang’ than our Osheaga 2016 Party Mix! But wait, how’s that possible? It’s possible because Osheaga Music and Arts Festival put together another truly impressive lineup! Of course, we added some hits from the festival […]
from http://indieunderground.ca/indie-music/osheaga-2017-party-mix-spotify-playlist.html I think many of us are still in shock, as we saw on Social Media this morning reports that our dear Chris Cornell left us. That voice etched into our memory, the soundtrack to many of our lives. I’m listening to a playlist on Spotify and it’s crazy to be reminded that so many of the musicians that rocked our world and changed the musical landscape have left us. Kurt Cobain (Nirvana), Andrew Wood (Mother Love Bone), Layne Staley (Alice in Chains), Scott Weiland (Stone Temple Pilots) all left us too early. Drug addiction & suicide, makes you wonder if the rock star life is all it’s cracked up to be. The pressures of living up to expectations, to losing your identify as you become larger than life. I saw Soundgarden only once, at Lollapalooza in 1992 with fellow grunge pioneers Pearl Jam. To this day, this concert was a highlight of my concert going career. Grunge to me was a sound that spoke to my soul, that seemed to understand my place in the world at that time. Unfortunately, we lost so many of these Grunge pioneers. Like a fake treasure, stardom can be a bitter pill. I get to speak to many artists and I’ve been fortunate that to date, they have all been down to earth and gracious. I know, I will eventually meet an artist that will have an ego that they cannot contain and I will be disappointed with them. Fame and fortune brings attention but loneliness at the same time. How do you know who your real friends are? Who is real and who wants something from you? In this social media generation, some only want the selfie to up their social status by one by being associated with a rock star. I confess, I also like to get that shot, but I’m more interested in meeting the individual and getting to know them. For the most part, we simply don’t have the time. They pass through our town like a bad burrito goes through you. While I can’t really relate to being depressed or suicidal, I understand the way it hollows out a person till they feel they are no longer anything. It’s up to us, to reach out and fill that void with something real. Depression is no longer taboo, we now know it’s a disease. You can’t tell someone with Cancer to simply shake it off and get better. Likewise, depression is a disease that needs treatment. Mental HELLth. There was once a man who wanted to end it all. He said: ”I can’t live with myself anymore.” The more he thought about it, the more he realized that this sentence involved two people. I & myself. Once he realized that this conversation was between two people, he began to notice when this second person was speaking. He called him “the watcher”. You see, the watcher would be the one who would say these bad things, but once he knew who was talking, the watcher’s power vanished. The watcher wants us to believe that it’s truly us that has these dark thoughts, but in reality, he is feeding us lies. That is why they say WE are OUR worst enemy. We all have this battle between these two people to some extent, but for some, it’s overwhelming. I don’t know Chris, I’ve never met him and I don’t know what he was going through, but it obviously was overwhelming. Those that did know him, loved him and were near to him are suffering the worst. They are wondering what they could have done to prevent this. We will never know, and it’s not their fault. If you are feeling like you want to end it all, please reach out to someone and talk about it. It’s more common than you think and now more than ever, people can listen and not judge. If you don’t have anyone, call the Quebec National Crisis Line anytime at 1-866-Appelle (277-3553). Let us remember the legacy of Kurt, Andrew, Layne, Scott and now Chris and as I saw on a post this morning: Let us bubble wrap Eddie Vedder to make sure we don’t lose him as well! Written by– Randal Wark is a Professional Speaker and Business coach with a passion for live music. You can follow him on Instagram, Twitter and YouTube. Share this :The post Chris Cornell dies at 52 – Suicide by hanging appeared first on Montreal Rocks. from http://www.montrealrocks.ca/chris-cornell-dies-52-suicide-hanging/ |
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